Antonio Chemotti studied at the faculty of Musicology in Cremona (University of Pavia), where he graduated cum laude in 2013, having produced a critical edition of the Kyries in manuscript Trento 93. From 2013 to 2016 he held a position as Wissenschaftlicher Mitarbeiter at Ludwig Maximilian University of Munich. As member of the Munich doctoral program for Literature and the Arts MIMESIS (Elite Network of Bavaria) he worked on a doctoral dissertation that examined polyphonic music for the liturgy for the dead. He was also a visiting academic at The Queen’s College, University of Oxford (WS 2016) and temporary lecturer at the University of Re-gensburg (SS 2016). He is currently postdoctoral researcher in the HERA Project »Sound Memories: The Musical Past in Late- Medieval and Early Modern Europe«, working on polyphonic repertoire in Silesian hymnbooks. He is based at the Institute of Art of the Polish Academy of Sciences (Warsaw).